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The Ultimate Elizabeth Amisu Experience

Elizabeth Amisu

'A refuge for the heart and a guide for the soul.'

The Ultimate Elizabeth Amisu Experience
Elizabeth Amisu

'A refuge for the heart and a guide for the soul.'

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  • Amisu, Elizabeth, ‘The Cultural Inheritance of Michael Jackson: Reading the Performance of High-Status Blackness in Music Video and on the Stage’ in Nakan: A Journal of Cultural Studies 2(2): Michael Jackson’s Artistic Contributions: Another Perspective, April (2022) https://nakanjournal.com/the-cultural-inheritance-of-michael-jackson-reading-the-performance-of-high-status-blackness-in-music-video-and-on-the-stage/
  • Amisu, Elizabeth, “Throwing Stones to Hide Your Hands” Revisited”, The Journal of Michael Jackson Academic Studies, 4, no. 1 (2017). Published electronically 24/08/2017, https://michaeljacksonstudies.org/throwing-stones-to-hide-your-hands-revisited/. Originally published electronically 15/09/2017, www.elizabethamisu.com, Writing Eliza.
  • Amisu, Elizabeth, Lisha McDuff and Karin Merx, ‘Make That Ch-Ch-Change: Michael Jackson and David Bowie’, (2016) https://dancingwiththeelephant.wordpress.com/2016/02/25/david-bowie-and-michael-jackson/
  • Amisu, Elizabeth, and Karin Merx, ‘The Michael Jackson Respect Portrait by Karin Merx’, The Journal of Michael Jackson Academic Studies (2016) http://michaeljacksonstudies.org/mjrespect/
  • Amisu, Elizabeth, Willa Stillwater, Lisha McDuff and Karin Merx, ‘A Look at Neo-Noir in Michael Jackson’s Short Films’, (2016) https://dancingwiththeelephant.wordpress.com/2016/01/28/a-look-at-neo-noir-in-michael-jacksons-short-films/
  • Amisu, Elizabeth, ”With All His Beauteous Race’: High-Status Blacks in the Masque of Blackness and the Merchant of Venice‘ (Master of Arts, King’s College London, 2015)
    • —, ”Throwing Stones to Hide Your Hands’: The Mortal Persona of Michael Jackson’, The Journal of Michael Jackson Academic Studies 1 (2015) https://michaeljacksonstudies.org/throwing-stones-to-hide-your-hands-the-mortal-persona-of-michael-jackson/
    • —, ‘Song of the Goat’s ‘Songs of Lear” (London: King’s College London, 2015)
    • —, ‘From Object to Subject: A Critical Survey on the Representation of Blackness in the Early Modern Period’ (London: King’s College London, 2015)
    • —, ‘‘Crack Music’: Michael Jackson’s ‘Invincible’’, The Journal of Michael Jackson Academic Studies 1 (2015) http://michaeljacksonstudies.org/elizabeth-amisu-crack-music-michael-jacksons-invincible/
    • —, ”Throwing Stones to Hide Your Hands’: The Mortal Persona of Michael Jackson’, The Journal of Michael Jackson Academic Studies 1 (2014) http://michaeljacksonstudies.org/throwing-stones-to-hide-your-hands-the-mortal-persona-of-michael-jackson/
    • —, ‘On Michael Jackson’s Dancing the Dream’, Writing Eliza (2014)
      https://elizabethamisu.com/post/91073957802/on-michael-jacksons-dancing-the-dream-dangerous
    • —, ‘On Michael Jackson’s ‘Dancing the Dream’’, The Journal of Michael Jackson Academic Studies 1 (2014) http://michaeljacksonstudies.org/on-michael-jacksons-dancing-the-dream/
    • —, ”The Isle Is Full of Noises’: Revisiting the Peter Pan of Pop’, The Journal of Michael Jackson Academic Studies 1 (2014) https://michaeljacksonstudies.org/the-isle-is-full-of-noises-revisiting-the-peter-pan-of-pop/
    • —, ‘Heard It on the Grapevine’: Are We Losing Michael Jackson All Over Again?’, The Journal of Michael Jackson Academic Studies 1 (2014) http://michaeljacksonstudies.org/heard-it-on-the-grapevine/
    • —, ‘Editing Task’ (London: King’s College London, 2014)
    • —, ‘‘Crack Music’: Michael Jackson’s Invincible’, Writing Eliza (2014)
      https://michaeljacksonstudies.org/crack-music-michael-jacksons-invincible/
    • —, ‘Choose an Early Modern Printer or Publisher and Look at the Place of Literary Publications within His Work as a Whole’ (London: King’s College London, 2014)
    • —, ‘‘Bad (1987)’’, The Journal of Michael Jackson Academic Studies 1 (2014)
      https://michaeljacksonstudies.org/bad-1987/

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The Ultimate Elizabeth Amisu Experience

Elizabeth Amisu

'A refuge for the heart and a guide for the soul.'

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